The Project

Hiroshi Nagai’s landscapes are more than depictions of resorts and urban life. They embody the “urban dream” cultivated in Japan during the 1970s and 1980s: city pop drifting from car stereos, coupes gliding along the coastline, and West Coast imagery absorbed through the pages of glossy magazines. The clear blues and sharp shadows that define Nagai’s paintings visualize Japan’s longing for a freedom that seemed to exist somewhere just beyond reach. 

Yet these images no longer exist solely as nostalgia. Amid the global rediscovery of Japanese city pop, the visual afterlife of vaporwave, and the internet generation’s fascination with 1980s aesthetics, Nagai’s work is being reinterpreted as part of a living contemporary culture. The skies he paints are not skies of reality. They are skies of memory, of longing, and of a future yet to arrive. The idealized landscapes born during Japan’s era of rapid economic growth have transcended both borders and generations to become part of a shared global visual language. 

The Dropshop release marks a moment in which this Japanese graphic icon circulates anew on an international stage. Through this series of prints, Nagai’s imagery extends its cultural reach while entering new contexts within the global art market. It opens a new chapter for his work—one that brings the timeless emotional warmth of Hiroshi Nagai’s landscapes to collectors around the world. 

Untitled, 2026 ©Hiroshi Nagai

The Prints

Untitled #1 , #2, #3, 2026
Each an edition of 50

Medium
(#1 & #3):
14-color screenprint with a hand-applied two-colored gradation on Baron Kent 220 paper
(#2): 17-color screenprint with a hand-applied two-colored gradation on Baron Kent 220 paper
Dimensions:
(#1 & #3):
20 7/8 x 17 7/8 in. (53 x 45.5 cm)
(#2): 20 7/8 x 20 7/8 in. (53 x 53 cm)
Price: $2,000 each unframed

On View at Phillips Tokyo

〒106-0032 東京都港区六本木6-6-9ピラミデビル4階

4F Piramide Building

6-6-9 Roppongi, Minato-ku

Tokyo 106-0032

Open Monday-Friday, 11 AM - 5 PM.

PHILLIPSについて

Untitled #2, 2026 ©Hiroshi Nagai

The Paintings

Untitled, 2026
Medium: acrylic on canvas
Dimension: 26 1/4 x 28 5/8 x 3/4 in. (66.6 x 72.7 x 2 cm)
Price: $28,000, framed

Untitled, 2026
Medium: acrylic on canvas
Dimension: 28 5/8 x 28 5/8 in. (72.7 x 72.7 cm)
Price: $28,000, framed

Untitled, 2026 ©Hiroshi Nagai

The Artist

Leading Japanese illustrator Hiroshi Nagai (b. 1947, Tokushima Prefecture, Japan) began his career in the 1970s, developing a distinctive visual language defined by clear blue skies, sharply cast shadows, geometric architecture, and palm-lined horizons. Through magazine advertisements, record jackets, and posters, Nagai created a stylized world that quickly an icon of Japan’s late-20th-century popular culture. 

His landscapes came to embody the aspirational “urban dream” associated with Japan in the 1970s and 1980s—an idealized vision of leisure and modernity. Nagai is perhaps best known for his iconic album cover illustrations for the city pop movement, a genre of Japanese music that blended disco, jazz fusion, and soft rock into a sophisticated urban soundtrack. Among his most celebrated works is the cover art for A Long Vacation by musician Eiichi Ohtaki, regarded as one of the greatest Japanese rock albums by Rolling Stone Japan. 

Positioned at the intersection of admiration for the American West Coast and a distinctly Japanese sense of urban modernity, Nagai’s imagery balances nostalgia with a subtle sense of futurism. In recent years, his work has been rediscovered by a global audience amid the resurgence of city pop and the internet-driven visual culture that followed vaporwave. Today, Hiroshi Nagai’s timeless landscapes continue to resonate across generations, cementing his influence within both contemporary illustration and global pop visual culture.  

©Photo courtesy of Gallery Target.

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