Jan Yoors

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ABOUT THE DROP

The Project

Working directly with the Estate of Jan Yoors, Dropshop is honored to present a curated selection of the artist’s original charcoal drawings, vibrant gouache studies for monumental tapestries, and a hand-woven Aubusson tapestry. Working fluidly across mediums throughout his decades-long career, Yoors developed a distinct methodology within each practice while remaining deeply experimental. His mastery of traditional materials, combined with influences drawn from his cultural surroundings and imagination, allowed him to continuously evolve his visual language.

The abstracted tapestry works were inspired by everyday observations: photographs, magazine clippings, shadows cast by plants, weathered posters, and forms from the natural world. Yoors would begin by framing and refining compositions through gouaches, sketches, tracings, and collages before arriving at a final image. Gouache studies established the color palette for each tapestry, after which the composition was traced, gridded, and enlarged for transfer to the loom. Full-scale painted cartoons were often suspended behind the warp during weaving, while the warp threads themselves were painted to indicate shifts in color. An eight-by-ten-foot tapestry typically required four to five months to complete, with teams of three or four weavers working daily on Yoors’ handmade fifteen-foot loom. Each tapestry remained unique, woven only once, as Yoors approached tapestry-making with the same experimental spirit as painting.

The charcoal drawings presented on Dropshop date from 1975 and come from a series Yoors began in the late 1940s and revisited throughout his career. Executed on thick tan paper, the works move between loose sketch and bold definition. Depicting fragmented or profile studies of the female figure, the drawings reduce form to powerful contours and abstracted volumes. Across the series, outlines grow increasingly pronounced while recognizable anatomy dissolves into shape and rhythm, revealing the artist’s enduring focus on line, structure, and abstraction.

A selection of Yoors’ charcoal drawings, gouaches, and tapestry works are currently on view at Delen Private Bank in Antwerp. This fall, his work will also be featured in a solo exhibition at Gallery FIFTY ONE Fine Arts. Major museum exhibitions include a 1979 memorial exhibition following Yoors' death at MoMA PS1 in New York and a 2012 retrospective at the Felix Art & Eco Museum in Belgium.

Red Trees, 1966 ©Jan Yoors

The Gouaches

“I work in hard-edge, two dimensional, often deceivingly direct and simple forms, which render, I feel, and essentially sculptural sense of mass.” – Jan Yoors.

Eight gouache paintings from the 1970s will be offered during the drop. Executed toward the end of his career as his health was failing, Yoors produced these as preparatory designs for large, abstract tapestries rather than relying on full-scale tapestry cartoons. As Yoors’s methodology evolved, he drew upon his earlier photography practice to serve as the inspiration for many of these later gouaches. In many cases, these gouaches are the only evidence of tapestries that have been lost or were never woven.

Red Forest, 1977

S. 23 1/8 x 30 in. (58.7 x 76.2 cm)

$22,000

Mist, 1976

S. 9 x 10 in. (22.9 x 25.4 cm)

$18,000

Lilac’s Mauve, 1974

S. 8 1/8 x 11 1/2 in. (20.6 x 29.2 cm)

$13,000

Plowshare, 1977

S. 7 x 7 in. (17.8 x 17.8 cm)

$12,000

Tantra II, 1976

S. 7 1/4 x 9 3/4 in. (18.4 x 24.8 cm)

$16,000

Purple Tantra, 1976

S. 8 x 10 in. (20.3 x 25.4 cm)

$15,000

Cobalt Mountain, 1977

S. 7 1/2 x 22 in. (19.1 x 55.9 cm)

$24,000

Spanish Inspiration, 1975

S. 20 x 26 1/8 in. (50.8 x 66.4 cm)

$12,000

For additional images and cataloguing details, please email dropshop@phillips.com.

Tantra II, 1976 ©Jan Yoors

“The vibrancy of color plus the textural warmth and the monumental scale seem a combination limited only to tapestries. To me, no other art form offers the same stimulation and excitement.”

– Jan Yoors

Red Forest, 1977
Mist, 1976
Purple Tantra, 1976

The Drawings

“I loved to see these figures being conceived, grow and pass through the different states of transition. Thus grew in me a great respect, understanding and love of the human body, which for me had a divine quality.” - Jan Yoors

Eight unique figure drawings from 1975 will be offered during the drop. These charcoal drawings bring together the essential elements in Jan’s works including bold lines, shapes, and a larger complex reality magnified, and simplified, to the point of abstraction.

[Untitled], 1975
Medium: Unique charcoal drawing on heavy wove paper.
Dimensions: approx. 30 x 26 1/8 in. (76.2 x 66.4 cm)
Price: $12,500 each, unframed

For additional images and cataloguing details, please email dropshop@phillips.com.

[Untitled], 1975 ©Jan Yoors

The Artist

Jan Yoors (b. 1922, Antwerp, Belgium – d. 1977, New York, New York) was a Belgian-American artist best known for reviving tapestry as a major modern art form in the mid-20th century. He came from a family of artists and spent part of his youth traveling with Romani communities, experiences that later inspired his writing and visual art. During World War II, he worked with the resistance and was imprisoned by the Nazis before eventually settling in London and later New York City.

After the war, Yoors became fascinated with medieval and Renaissance weaving traditions and began creating large-scale handwoven tapestries. In 1950, he established a studio in New York, where he collaborated closely with his wives and fellow weavers, Marianne Citroen and Annabert Van Wettum. His tapestries—often bold, abstract, and geometric—were woven from richly dyed wool and designed as original artworks rather than reproductions of paintings. Yoors believed tapestry should be treated as an independent art form with its own visual language.

Yoors gained international recognition in the 1950s and 1960s, exhibiting widely and representing the United States at the International Biennial of Contemporary Tapestries in Lausanne, Switzerland. Alongside tapestry, he also worked as a photographer, sculptor, filmmaker, and author. His memoirs, including The Gypsies and Crossing, remain influential accounts of Romani life and wartime survival. He died in New York City in 1977, leaving behind a body of work celebrated for its vibrant color, monumental scale, and fusion of modernism with ancient weaving traditions.

Jan Yoors painting the full size cartoon for “Red and Black Shapes”. The tapestry woven in 1970 is currently in the art collection of JP Morgan Chase. Image courtesy of the Yoors Family Partnership.

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